Week #33: Defiance

33. Dialogue: “Give me one good reason why I should wear a dress.”

“Give me one good reason why I should wear a dress.”

“It’s the norm, honey. Why question the norm?”

“Why not question the norm? Why do we women have to wear dresses and not pantsuits like the men do?”

“Darling, you’re asking dangerous questions.”

“Why must women stay home and keep the house? Why can’t we pursue our own dreams, our own careers.”

“Dearest, I think it’s best you keep your thoughts to yourself.”

“Why? Aren’t I — aren’t we allowed to question why?”

“Sweetie. Just stop. This conversation has to end now.”


Week #32: Between

32. First Line: That summer seemed to last forever

That summer
To last
Lazy days by the sea
Just dreaming of you and me

It’s winter
In your part
Of the world
You say you’re cozy
And you’re warm
But I know you’d rather
Have me in your arms

Tonight, tonight
I want to be
By your side
Transcend the seasons
And the reasons
Why we’re still

Where there’s a will
There’ll always be a way
And love will surely
Will save the day
So now
We’ll have to meet halfway
Until we are together
And till there are no more barriers

Between me
And you

Catching Up + Weeks #30&31: The Skeleton in the Village

I have some writing to catch up on. Will be mashing up the last item from the last set and the first item from this one:

31. Subject: Write about a train journey.
32. First Line: That summer seemed to last forever
33. Dialogue: “Give me one good reason why I should wear a dress.”
34. Scenario: A man lies close to death. Describe the images from his childhood that fill his mind.
35. Title: A Far Cry From The Mountain

Care to join me in a train journey?

* * *

30. Title: The Skeleton in the Village
31. Subject: Write about a train journey


There’s something about slow, intentional travels that make sojourners like me sink into a deep melancholy. Today’s journey is no different. Especially since I’m headed to a place one can’t help but feel nostalgic about.

Today, I’m going back to the past.

The train chugs along lazily. Trees wave surreal branches at me as I pass from one station to another. A thousand suns rise and set with each mile passed and, with each burst of golden orange, I know I’m closer to my destination.

By the time my ride draws to a stop I already know that I’m here. I’m in the Past. I’m in a village filled with remnants of my childhood, of my teenage years, of some early days of my adulthood, too. I breathe in — slowly — take my bags, and get out of my coach.

Everything’s exactly as I remembered. The squeaky swing sets are still there. Mr. Chipmunk’s store is still up and running like it’s business as usual. The driveway is filled with bicycles, scooters, roller blades, and a roller skate that I’ve always claimed as mine. I want to get on the swings, buy tsoknut from the store, put on the old skate, but I stop myself.

I’m here to retrieve one thing.

There’s a skeleton hiding somewhere in this village. I need to bring it with me to the present. People don’t usually do that. People usually keep these skeletons locked up in the past, in the darkness, where no one can bring them to the light. But that’s exactly what I need to do — bring it to the light.

I once read that if you shine light on something, you can set that something free. I want to be free. I don’t want to be haunted by that skeleton anymore. But the light in the past isn’t enough. Only the light in the present is.

I find the skeleton underneath the staircase leading up our house. Its pungent aroma hits my nose. I’m surprised nobody’s found it. I’m surprised nobody’s dared to relocate it, bury it, or even throw it away. But then, of course, nobody lives in the Past. Nobody’s bothered by it.

Only I, who knows it’s there, am.

I throw my black travelling bag over it. Fix it up. Zip it up. Pick it up as I head back to the train station so that I could make my way back into the present.

It’s time to set myself free.


Week #29: Spiderwoman

I feel helpless at times. Especially when I see people far more helpless than me. Some form of hero complex starts kicking in – can I save this person? But does the person want or need saving? Should I step out or should I keep still?

I saw a man being hit in the street once. What was I to do? Put on a spider costume, shoot super strong web slings out? Dodge the attackers every move because everything else around me moves in slow mo? I don’t think so.

I wish I could but I’m just an ordinary Jane. No reference intended to Spidey’s Mary Jane.

“With great power comes great responsibility,” someone said. But what if you don’t really have power? Should you be held responsible still?

I believe we all have some sort of responsibility. Perhaps it can be true that with some form of responsibility comes some form of power as well.

Then with great responsibility, we’ll be given great power, too.